Raza Tariq  (b. 2002) is a London-born conceptual artist whose work examines ritual & technē as coextensive systems. In a world where technology and its influence become invisible, he asks what form visual traditions surrounding shared ideas of an “invisible” take, resituating the Islamic as conceptual occurrence rather than classical object.

PURE PROFIT is a network of site specific installations, imagining the ATM as a civic altar within a technospiritual order. Participants collect “Talisman Ledger” necklaces at arebyte, unlocking a digital colour spectrum spiritual Tube map of London and a series of ATM pilgrimages shaped by Islamic numerology, Sufi practices and public interaction.