2023/26
THE BODY, THE MIND, THE SOUL
The programme aims to explore the human and non-human condition, reflecting on the nuance of individual and collective existence within the changing world that now shapes us.
2022/23
SCI-FI
The programme unpicks our current reality and presents an exploration through various forms of speculative fictions, proposing imaginative and innovative concepts for a new kind of futurism, mapping a new realm that we can unfold.
APR 2023 Online
2021/22
REALITIES
Realities explores various speculative truths (and fictions) present within the complexities of living and nonliving bodies, those who are represented within real-life experiences and encounters and those who are present in avatars and online platforms.
SEP 2022 Online
MAR 2022 Online
THE WRONG BIENNALE
Plug-in for selected The Wrong projects
NOV 2021 - MAR 2022
DANIELLE BRATHWAITE-SHIRLEY
SHE KEEPS ME DAMN ALIVE
Solo exhibition
OCT 2021
FREE-FORM: A CELEBRATION OF BLACK WOMXNHOOD
Guest curated by The Rogue Collection
SEPT - OCT 2021 Online
AUG - OCT 2021
Software for Less
Solo exhibition
APR - OCT 2021 Online
JUL - SEPT 2021 Online
JUL 2021
JUN - JUL 2021
tender spots in hard code…
Solo exhibition
MAY - JUN 2021 Online
MAR - APR 2021 Online
2020/21
SYSTEMS
Systems discusses the erratic interplay between the systems we encounter on a daily basis, and how we might use parts of these systems to reconfigure our understanding of the world.
NOV 2020 - JAN 2021 Online
ART HOMEPAGE FAIR
Project guest curated by IDPW/ Exonemo
OCT 2020 - MAY 2021
OCT 2020 Online
AUG - OCT 2020 Online
HYPERTENSION
Project guest-curated by Pylon Hub Lab
AUG - SEPT 2020
JUL - SEP 2020 Online
AUG 2020 Online
APR - JUL 2020 Online
THE ART OF NO LIKES
Project guest curated by Hervisions
MAR - JUL 2020
OLIA LIALINA
Best Effort Network
Solo exhibition
MAR 2020 Online
JAN 2020
HELEN KNOWLES
Trickle Down: A New Vertical Sovereignty
Co-produced with Future Everything
2019/20
HOME
Home is relational, emotive, nostalgic and warm, but equally can be impossible, scary and unstable. The artists in Home disrupt and confront the limits of what these situations mean in our present and future and in our physical and virtual homes.
MAY- JUL 2019 Online
MAY - JUN 2019
Guest-curated by Audint
APR - MAY 2019
MAR - APR 2019
Guest curated by Most Dismal Swamp
FEB - APR 2019 Online
THE WRONG BIENNALE
Selection of works guest curated by David Quiles Guilo
MAR 2019
JAN - MAR 2019
Guest curated by Kelani Nichole
2018
ISLANDS
Reflecting on recent local and global socio-political changes, Islands looks to the idea of dislocation and association of space, from both physical and theoretical aspects.
NOV - DEC 2018
KARANJIT PANESAR
The way things are
JUL - SEP 2018
APR 2018
Guest-curated by Infinite Multiple
MAR - APR 2018
I'M SORRY, I DIDN'T QUITE CATCH THAT
Guest-curated by isthisit?
FEB - MAR 2018
ON MY ISLAND NONE OF THIS WOULD BE TRUE
Guest-curated by Chris Rawcliffe
2017
CONTROL
In response to the proliferation of the Internet and current global and local attempts to appropriate and privatise the web, Control questions the state of individuality, anonymity, surveillance and the distribution of knowledge in our current society.
…read full curatorial text.
AUG - SEPT 2017
JUN - JUL 2017
MAY - JUN 2017
FEB - MAR 2017
MAR - SEPT 2017
2016
LEGAL AESTHETICS
Legal Aesthetics examines the relationship between the art and the rules that define our world.
NOV - DEC 2016
OCT - NOV 2016
JUL - AUG 2016
MAY - JUN 2016
MAY 2016
MAR 2016
THE WICK IN LAYERS
Royal College of Art
IED & VC Residency
2015
THE OFFICE AND THE LAB
The programme focuses on the idea of ‘the office’ and ‘the lab’ as spaces of research, development and art production. The artists of The Office and The Lab infiltrate these spaces to negotiate the expanded field of art and the relationship with authority, politics, labour and audience.
OCT - NOV 2015
AUG - SEP 2015
JUL - AUG 2015
MAY - JUN 2015
2014
THE BODY AND TECHNOLOGY
The Body and Technology reflects on rapid changes within technology, the virtual self and interaction as a methodology for disruption and alternate thinking. The programme creates a dialogue between the different disciplines, artists and the audience, and posited interaction, engagement and collaborations throughout.
AUG - SEPT 2014
Selected works from the Royal College of Art Design Interactions graduates
JUL 2014
Festival Residency
MAY - JUN 2014
MAR - APR 2014
JAN - OCT 2014
