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Having collaborated with arebyte for many years, I recognize the launch of arebyte Digital Art Centre as critical infrastructure connecting academic research to professional digital art practice. For students and graduates working with computational and emerging technologies, it establishes conditions where experimentation, production, and public engagement occur simultaneously. This
model bridges education and industry as operational reality, generating sustainable pathways and new methodologies for emerging practitioners.
— Dr Rachel Falconer, Head of Creative Technology, Goldsmiths University London
arebyte Digital Art Centre is unique in the United Kingdom in offering a space for rigorous, critically engaged and compelling digital creativity. Ranging across commissioning and presenting new works, the programme enables artists to flourish and develop groundbreaking durational work that engages audiences and asks questions about emerging technologies, art and society. arebyte’s continued strength lies in its commitment to shaping how digital art is curated, experienced, and understood.
— Corinna Gardner, Senior Curator, Design & Digital, The Victoria and Albert Museum
Organisations like arebyte demonstrate the vital role of dedicated cultural infrastructure for digital art. By supporting artists to experiment, develop skills, and engage audiences across a wide range of digital forms, the Camden Digital Art Centre is a strong example of how the field can grow sustainably and remain publicly connected. Its opening is particularly timely as Arts Council England recognises Digital Arts as a distinct discipline, highlighting how deeply digital technologies now shape contemporary creative practice.
— Owen Hopkin, Arts Council England, Director, New Technologies & Innovation
What distinguishes arebyte is that it functions not merely as a venue but as genuine cultural infrastructure for digital art. Its residency and studio model gives artists working with emerging technologies something increasingly rare: sustained time to experiment and build relationships. It’s a space where risk-taking is structurally supported, where knowledge circulates between practitioners, and where deep connections to international digital art networks keep the programme outward-looking. arebyte represents a vital model for how we might nurture experimental practice beyond the exhibition moment — prioritising process, community, and long-term artistic development in equal measure’.
— Jazia Hammoudi, Program Director, Onassis ONX, New York